Minimax H3 Recast — New Faces, Same Footage
Hand over your clip plus one portrait per role. The performance, timing and sound stay untouched while the cast is replaced.
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Minimax H3 Recast

Upload up to four portraits, and Minimax H3 Recast hands those roles to your photos — every cut, camera move and line of audio stays as filmed.

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What Makes Minimax H3 Recast Useful

This tool re-casts a video that has already been locked, changing who we see on screen while the rest of the production is left exactly as it was shot.

  • Recasting a clip that is already locked
    Hand the tool an existing video plus a set of portraits, and the people on screen are replaced by your photos instead of the system generating brand-new footage from scratch.
  • Each face keeps its role across cuts
    Match the order of your portraits to where each performer appears on screen, and that pairing survives every edit the clip makes between shots.
  • Your source footage drives the performance
    Every beat the original already owns — glances, pauses, expressions, on-set light and the path of the camera — remains as shot; only faces and clothing arrive from your uploads.

Running a Cast Swap with Minimax H3 Recast

Three quick steps turn an edited clip into one carrying an entirely different cast with Minimax H3 Recast.

Core Capabilities of Minimax H3 Recast

What sets this tool apart is a cast change that never disturbs the acting, the edit, the sound or the framing of the original shoot.

Up to four roles, ordered left to right

Four portraits is the ceiling, and each one claims a lead position in the sequence you choose, staying with that same character through every shot they appear in.

A text prompt can reassign the roles

When the default screen-order mapping does not suit your footage, a written instruction tells the tool who becomes whom instead.

The acting is untouched; only faces move

No part of the performance is regenerated: gestures, timing, expressions, lighting and camera motion all come from your clip, while faces and garments are drawn from your images.

Edit rhythm and audio survive intact

The pacing of the cut and the track beneath it remain exactly as they were, so the result is a completed clip wearing a new cast rather than a rebuild from zero.

Preview in 768p, deliver in 1080p

Run a fast low-resolution pass to confirm the match before committing to full-resolution output; the cost follows the length of your clip.

Hairstyle and clothing come from your photo

If your upload frames more than a face, the hair and outfit travel with it — a half-body shot transfers them far more reliably than a tight head crop.

FAQ

Frequently Asked Questions About Minimax H3 Recast

Answers to the questions people ask most often before running a cast swap with Minimax H3 Recast.

1

What exactly does Minimax H3 Recast do?

It performs a cast substitution rather than generating video from nothing: the portraits you supply take the place of the performers in your existing clip, while movement, framing, edits and audio are all carried over from the original.

2

Is there a length limit on my source video?

Keep the clip between 5 and 30 seconds, with no single shot running past 15 seconds. Split longer takes before uploading, because the output comes back the same length as the input.

3

How many performers can be swapped, and how is the order decided?

Up to four, each with its own portrait. By default the tool maps them to the leads in screen order, so arrange your uploads accordingly; a written prompt can change that mapping.

4

Which reference photos give the best results?

One sharp, evenly lit, forward-facing portrait per person works best. Half-body framing carries hair and clothing more faithfully than a tight crop; avoid sunglasses, hats, hidden faces, group photos, heavy filters and blurry images.

5

Do I need the 768p pass, or can I go straight to 1080p?

Start with the low-resolution pass to check the pairing, then render the deliverable at 1080p. Because cost scales with clip length, that first pass is the cheap way to catch a mismatch.

6

When is this tool the wrong choice?

It cannot change the footage itself — different movement, different camera work or a different location all have to come from your source. Results also weaken with dense crowds, tiny or distant faces, fast motion, and objects blocking a face after a hard cut; over long takes or when someone turns to profile, the likeness may drift back toward the original performer.

Run Minimax H3 Recast on Fuser Today

Give an already-edited, already-scored clip a fresh cast; the pacing, camerawork and sound you recorded never move from where they are.